![]() By inverting the Bounce, its phase should be 100% opposite of your original mix.Īnd when 2 signals are 100% identical, but opposite, you should hear: So you invert the Left and Right channels on the Bounce. That all the fidelity and magic has been faithfully Bounced down. Our goal is to prove that your Bounce is an identical copy to the mix in your Logic Project. Will the mix and Bounce cancel each other out? Playback the mix and Bounce at the same time.Invert the Phase on both Left and Right Channels, and.And it earns its name for the simple result it’s after. So to figure this out, we’ve got to conduct some tests. And we all know the devil is in the details when it comes to mixing. Because we all get anxious about our DAWs sometimes. And some folks believe Bounce isn’t as crisp as the original Project. The Bounce Conspiracyīecause the conspiracy is how all that math sounds once it’s been calculated. Of course, you could set Logic to Realtime Bounce:Īnd Logic will play through the track audibly as it bounces.Įither why you slice it, Logic has you covered. Plus, it saves your eyeballs from any System Overload carnage! Offline Bouncing is by far faster and more efficient. But instead of recording the mix to a stereo track, Logic uses math to calculate its way to a final Stereo File. Instead of playing the track through from top to tail, Logic renders it all down using math. Offline Bounce is the silent, and much faster way of condensing your mix session to a stereo file. Thankfully, an alternative was developed: Boo Yah – Offline Bounce Now imagine you hit a system overload each time you tried printing your track!īecause that’s what would happen when the digital processing overloaded their CPU mid-print. Quick question: ever wanted to claw your eyes out because of a System Overload? So you route your mix, hit record, and start printing… Everything is perfect, and you’re ready to lay this puppy down. Because they had to wait for the track to play from beginning to end. ![]() Waited for the mix to record to the Stereo Track.Routed their whole mix to a Stereo Track.We Bounce because none of these can manage your 100 track Logic Session.īefore Offline Bouncing existed, engineers of yore had to “print” their mixes. But at its core, we use Bounce to reduce a multitrack mix down to a single stereo file.Īt the end of the day your fans and listeners will hear your track on:Īnd many other playback mediums. The Case For Bouncingīounce comes in a variety of flavors. ![]() Today, I’d like to dispel this terrible Logic Myth. So they try to find alternate ways to “print” their Logic mixes without Bouncing. Some folks are convinced that Bounce is bogus. Which is an incredibly fast way to produce a Stereo file fit for iTunes, CD or Spotify.īut on forums all over the internet a Logic myth lurks…Īnd it’s the belief that Logic’s Bounce doesn’t sound as good as the Project you bounced it from: Taking a 50, 60, or 100 track mix and reducing it down to a single stereo file? That’s no small feat!Īnd while users of other DAWs had to “print” their mixes in real-time, Logic users got to enjoy Offline Bouncing. Bouncing is an essential part of the Logic experience.
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